Jack,
After a couple days in Boomtown, you and Parfait hop on your bike to ride with Kodak's crew headed for Bubble City. It's a light travel, carrying expensive tech and metals. Kodak is driving a Winnebago that's been converted to a hybird, able to run on diesel and solar. It isn't fast at all, but the thing is armored up, with a lookout position on top, and a few beds inside. Other than you and Parfait, the rest of the crew is the back-up driver Bank, Gala (again) and Ro, Reese's nephew. Did you know Ro was in town? Kodak's real happy to have him along since he's considered very lucky. How do you know him?
Gala will be sitting up top, Ro has an assault rifle in a position in the back of the RV. Bank and Kodak will be trading off driving hoping to drive as long as possible. You know Parfait can ride a bike, but then there's the issue of whoever isn't driving.
Did you put Parfait in the RV or maybe let her ride the bike for a while, or are you two staying separate from the others for as long as you can?
Comments
What impressed me was Ro's incredible ability to delude himself. He truly believed that the loss was some Karmic balance, when most people thought the investment to be rather insecure. I suppose it worked out in the end, though... The jingle was distributed to the workers as the project chugged along, and ultimately failed when the mismanaged funds were tapped.
The ride is bumpy, and Parfait pressed against my back is ... distracting, to say the least. The plan is to stay separate from the others in the event of trouble as best we can, so we're riding the bike together. I've given Parfait the assault rifle, and am at the helm.
After eight hours in the saddle, you're getting sore and tired. If you want to press on, or swap out and press on, give me an Act Under Fire. If you want to find a good spot to pull over and camp, then you'll need to ride up to chat with Kodak about that. And yes, he'll pull over to let folks stretch their legs and talk to you. At this rate, you would hit Bubble City in the early, early morning and not spend a night in the scrublands.
Everyone comes out of the RV and spread out, stretching legs, using the bathroom (even though there's one in the RV). Parfait heads out to squat by a bush herself. Gala stares at her in disbelief, but she was wearing a dress, she didn't flash people.
Kodak heads over to your bike, his eyes searching the scrub for any sign of trouble. What would he be worried about, Jack? He asks, "You doin alright? Need anything?"
"We're alright," I answer, "aside from thinking it would be best to get a good night sleep rather than ride on. Would you be willing to set up camp, and finish the last leg of the trip tomorrow? That way we can be well rested for the dealings."
I try to recapture his gaze, "please be patient with her."
Ro is chatting with her, by the way, pointing out the mesa, asking her some questions, friendly stuff.
Why don't you roll a Manip on Kodak to get him to make camp?
OOC: Manipulating Kodak. Roll+Hot. +1XP Rolling highlighted.
(Rolled: 2d6+1. Rolls: 6, 2. Total: 9)
What do you do?
He stops walking, looks over at you, "You guys need a tent or some blankets?"
Still – I only feel concern for Parfait. Their harsh judgement of her is unwarranted, seeing as they can't see the curious and kind woman behind the awkwardness.
I nod, "the tent and some spare blankets would be appreciated. We'll be ready in the morning." I head back to Parfait. I suddenly don't want her to be alone with these people, lest they say or do something stupid.
Parfait replies confidently, "I don't exactly know what you mean, but I had one for a pet. He was really mean. Kept him for a whole season."
"What happened to him?" Ro asks.
Parfait answers sadly, "We ran out of food, so we ate him."
Ro replies "... oh."
Then Parfait notices your arrival and says hi.
What do you do?
I look to Parfait, "it appears as though we'll be camping here for the night, my dear. Kodak will lend us a tent and some extra blankets to keep warm."
Ro smirks, "You're a unique lady, Parfait. And I'm glad you enjoyed the art, Jack. So, Parfait, where did you say you're from again?"
She blinks a few times, looks over to you with a slightly worried look. Of course, Ro sees all this.
What do you do?
Since you say "join us", I assume you mean share the food, right? What is it?
Ro's a natural tale teller. He's talking about his big brother Altoids, "I saw Alt (which he says like "Al" with a "t" at the end, not like it's short for alternate) a few weeks ago. He said he saw a couple First Men in the valley. You know they're all clones, right? All of em matched up pairs, like those creepy kids at Cat. You ever seen those little guys before?" Gala nods. Parfait shakes her head no. How do you react to that question?
Ro continues, "Alt said they didn't bother him or the caravan, but they were pretty scary guys. Said they were big hairy guys, like cavemen, hunted with bows as tall as me. Aint that a story?"
Gala breaks in with a story about Red Robin attacking Aquafina and the truck. She, no he, goes on about those Wendys, making them a pretty formidable threat. Gala keeps asking you stuff like, "Aint that right, huh?", stuff like that. And in Gala's version, "he" shot the Wendy that took down the tailgate, and also killed a couple Wendys when you hit the road again. It's an out and out lie.
Of course, Gala is making those Wendys out to be baby-eating demons, describing blood on their teeth, stuff like that. Parfait's just listening, eyes wide, sort of shocked into silence. She keeps looking over at you, worried.
What do you do?
I nod when Ro asks if I've seen the clones at Cat. I knocked one out of a roof once. I smirk at his attempt to use "ain't that a story" to pull in the audience — as if inviting them to question his tale for truth. I suppose it is quite the story...
When Gala breaks into the story about Red Robin, I stick an arm around Parfait — as a couple might at a campfire — and kiss her forehead when she looks to me nervously the first time. I let Gala play the hero, shooting the Wendy that took out the tailgate, and killing a few Wendys who "followed" us after the fact — of course there were no such Wendys, and the one who took down the tailgate made off with Aqua's electronics...
It's only when he gets to the part describing the Wendys as these inhuman beasts where I speak up. "Come now... You're just trying to frighten people. Their ferocity and dedication to the fight was impressive, to be sure, but that truck looking to ram us broke off the moment a few bullets flew its way." I rub Parfait's shoulder. I remember hearing the tales people told of the Wendys for the first time too — I was not unlike her, in her surprise. "This nonsense about these Wendys being inhuman monsters is insufferable — they are raiders, likely drugged up beyond reason before their attacks — and every time I've encountered them they've managed to find new ways to confuse me."
(Rolled: 2d6+1. Rolls: 2, 5. Total: 8)
He looks to Gala, "Cause I've never seen one."
I pause, recalling the events of that evening with a grim expression on my face... I remember the look in Aquafina's eyes. It still haunts me. "Instead, I managed to reason with him — bargain for the lives of Aquafina and Rinso in exchange for my own. My brother convinced the Wendy group to let him take me to my mother... And then he set me free."
Gala and Ro listen. Gala shakes "his" head makes a face like this is unbelievable. Ro says with appreciation in his voice, "That's a mighty fine tale. Your own brother?"
Then Gala interjects with, "I saw Aqua's truck, crashed in a ditch, stripped and painted with Wendy marks."
"Could it even be? Ro asks.
"Its true. Jack was captured by Wendys, and he lived." Parfait says solidly. "The Wendys hunt to survive. Some are demons. Most are people. Like the people of the flats. Some are demons, most are people." She doesn't look to you for support this time, Jack. She's supporting you.
It's quiet for a bit, just the crackling fire, sounds of them eating. Ro seems thoughtful, Gala has moved on to other thoughts.
What do you do?
(Rolled: 2d6+3. Rolls: 4, 6. Total: 13)
Q1: What is Ro really feeling?
It's tough, beating down fables.
OOC:
Q2: How can I get Ro to promote the idea that not all Wendys are monsters?
If he were to meet a pack of Wendys and survive, see that they're like you say, well, then the stories he tells around future campfires would feature that moment for damn sure.
OOC:
Q3: What does Ro intend to do?
As for later, he thinks you're pretty interesting. He just might stick around you after the work at Bubble City. Till he's bored.
She snuggles in front of you, gently pulling your arm over her body, which she seems to really like. At least, that's how she sleeps now, with you. After a few minutes, she whispers, "Jack... Gala was swallowing Ro's penis." you taught her that word, right? "I watched them, just now. Ro liked it. Is that something people of the flats do?"
I kiss her forehead, and whisper, "watching people do these things without their consent is often considered rude, my dear... They are meant to be private moments. If somebody had caught you doing it, it's possible they will not trust you to respect privacy. Do I not satisfy your curiosities and desires, my dear?"
Then a few moments later, explaining quietly, "I want to know everything." Then, she assures you, "You are enough, Jack I am happy."
I kiss her cheek, "thank you for being patient with me my dear, and standing with me as I spoke of the Wendys earlier... We may change hearts yet."
Then in a quiet voice, "Do you like that, Jack? The thing Gala did?" And the thing is, she's asking if you want a blow-job, but she's really asking if you trust her.
What do you do?
With Parfait, though? I am truly at ease. She not only accepts my "gift" — but embraces it. How could I not trust a woman like that? I whisper, "from most women? No... From you though? I think I would like it very much."
Tell you what, if you want to grin and bear it, Act Under Fire. If you try to coax her through it without hurting her feelings, Manipulate or Seduce her.
(Rolled: 2d6+1. Rolls: 3, 6. Total: 10)
And of course, she lets you. Because its a show of trust. Oh and by the way, now that little comment Barinet made about feasting on her is funny to Parfait. The joke clicks, at some point during this slightly awkward, mostly sensual moment between you.
Shall we skip ahead, or is there conversation afterwards?
And you're back on the road in a half hour, fed and all that. What was breakfast like? Parfait made it for you. Parfait wants to ride the bike today, you on the back seat. Any objections?
You should roll into Bubble City by the afternoon.
I have no objections letting Parfait drive. After 8-hours of straight driving yesterday, I'm happy to relax in the back seat for a while. I'll just sit there with my rifle out, and answer whatever questions she may have about Bubble City, and how to behave in public.
Why do raiders stay so far from Bubble City anyways?
You notice that Gala isn't up on "his" perch as much. "He" checks on Ro a few times, they chat, being friendly, as far as you can tell. I mean, it isn't like you're going out of your way to watch them. What did you see that maybe they didn't want you to see, Jack?
Well... At least until I saw Gala doing an impersonation of someone sloppily giving someone a blowjob — wild biting gestures and all — and tossing a thumb over her shoulder towards us... Ro looked over to us, but I'm not sure if he caught my sidelong glance. I looked away pretty quickly.
Bubble City is a reasonably rich place, and so they've been able to pay tribute to the various warlords in the area quite well. That — and there are very few places raiders could hide out here in the middle of the flats. I look forward to showing Parfait the structures here. They're otherworldly.
Do you bring Parfait along? I'm guessing so, right?
Kodak leads you on into Bubble City itself, which is a large set of dome structures, all created from the same rather abundant quick-crete, except the folks of Bubble City have perfected a way to form up big rubber domes and pour the quick-crete over it, put a sturdy metal frame for support, then more quick-crete. The resulting "city" is a community of maybe a couple hundred souls living in a weird honeycomb-like series of dwellings. Most of the residences are formed in circles, not rows, with pretty courtyards and hidden entrances. It is very easy to get lost here.
But your guide knows the way. He takes both of you directly to an area where there are four over-sized bubble homes, with double-doors, obviously more pblic spaces, folks coming in and going out. There are no signs, though, which is less than helpful. He picks the second structure, pushing open a door for you.
You come into a large wide-open space with stacks of crates in various places around you. There are customers here, picking through electronics, dried goods, toys, even a few items of clothing. Kodak heads for a small bar to the left side, chats with the clerk, who takes you to a back room that was hidden away behind some black curtains.
In this back room is an entirely different dome structure with very neatly organized racks of parts, pieces, tires, gun parts, drums of liquids, a full supply store. Kodak calls out to an older man who is talking with a pair of younger folks, "Hey Dime-line!" The old man waves him over out of the way on the warehouse floor, so to speak. Kodak comes up, shakes his hand and introduces you.
What do you do?
I never did wander into Bubble city very far — I must admit, the place has me a little turned around. Thankfully I've figured out that walking in a straight line only requires a few alternating turns. The change in atmosphere of this place — from a humble sundries shop to what looks like a gang's wet-dream — it unsettles me a bit. What is it about this place?
I reach out to Dime-line when I'm introduced, and shake his hand. "Jack," I say with a smile, "and my girl Parfait."
"Good to meet you," Dime-line says simply.
Kodak fires off, "We've got some good barter with us, and I need a list of items. I don't want to pay Tradertown for this stuff, so I've come to you." He pulls a folded set of papers out of his jacket, hands them to Dime-line, "Here's a rundown of what we need. We're in for a couple days. Can you give me an idea of what you can fulfill? And, you wanna send someone back with me to look through our barter?"
Dime-line holds up a hand, "Slow down, Kodak. Slow down." He opens up the papers slowly, reaches into a shirt pocket and pulls out a pair of glasses and begins to read over the pages.
What do you do?
I stand back, with my arm around Parfait's waist, generally absorbing the situation. My earbuds are out, and I'm watching Kodak make a fool of himself. Now would be a good time for me to start paying attention to the whispers in the room, I suppose...
(Rolled: 2d6+3. Rolls: 5, 5. Total: 13)
Parfait is watching this like some popular game of jugging, looking back and forth between the two men with an amused half-smile.
He folds the pages back up, puts them in a pocket and says, "I can get you most of the list for twenty five."
Kodak narrows his eyes at the old man, and bites his tongue. He glances over at you and says, "Jack, can we chat for a second?"
What do you do?
I am sure to stay roughly in sight of Dime-line, but I look to Kodak, confused, and ask, "what seems to be the problem?"
OOC:
Q1: How can I get Dime-line to seal the deal at 12-barter?
I keep my posture and tone professional, "the system is important enough that it merits its own discussion — perhaps with separate terms. What do you think?"
Kodak is trying to get Dime-line outside to the RV to check on his goods, but Dime-line doesn't seem that interested.
I wonder what he hopes to gain by showing us hospitality...
OOC:
Q2: what does Dime-line intend to do?
I've never met a man who asks me my price for services rendered without a job in mind... Speak up, Dime-line — you can't hide these things from me.
OOC:
Q3: What does Dime-line wish I'd do?
I've made arrangements with people for exclusive, on-call services before — but often I'm very picky about the terms of such a contract. I like my freedom — and I like having a guilt-free conscience. Settling down only gives people an opportunity to learn about my past... Damn.
When you eat with "Dime-line the Collector", roll +Hot.
On a hit, choose options. On a 10+, choose two. On a 7-9, choose one.
* You make a great impression on him; Take +1 Forward dealing with Dime-line
* You told an amusing or interesting story; detail it, and you get a 1-barter gift
* Dime-line will answer two questions about anything in Bubble City truthfully
* You met someone interesting at Dime-line's table; detail them and take +1 HX with this person
On a miss, you did or said something awful. Take -1 Ongoing with Dime-line until you make up for it with a 1-barter gift or doing something he asks
(Rolled: 2d6+1. Rolls: 2, 4. Total: 7)
Ro brought you some coffee, "Here's a cup, just brewed it inside. I love this Arvee thing Kodak has." Parfait tries her cup, makes a face, but drinks some more. At one point, Ro mentions, "You know, for a man, Gala sure is a good lay." He laughs and takes another couple sips.
Roma comes out to greet you. Her hair's a mess, she looks half awake. "Hey Ro! Hey Jack!" She hugs your neck tight, Jack, then offers a hand to Parfait, "Hi, I'm Roma, the DJ."
"I listened to you!" Parfait says, taking Roma's hand with both of her own and shaking vigorously. Then she adds, "I'm Parfait!"
Roma is totally checking her out, by the way. She looks over at you, "Hey, you bastard, where the hell have you been?" Her tone is playful. How long has it been since she saw you? It wasn't here, was it?
I smile when Roma emerges and kiss her cheek in greeting when she wraps her arms around me. I've yet to actually say anything... This coffee is particularly good, you see...
I haven't seen Roma in years — since she was down south with that Aero character, looking for a woman named Fox. We spent a night drinking, and griping about not being understood by society by and large. We toasted its downfall, actually — in jest of course. I take another sip of my coffee to instill some strength to my voice, "around," I answer, hoarsely. "*Ahem*, excuse me... Around. I'm always on the move. So you've set up here as a DJ, have you?"
"Jack is my boyfriend." she replies quickly. She looks to Ro, "Ro is frakking a man in our caravan." Roma laughs at that one, eyes wide.
Ro raises his hands defensively, "Whoah now, let's not start a rumor now. I'm not into guys..."
"Sure... sure, Ro." Roma laughs. "Did you pull the let the lucky rub off on ya thing on her?"
Ro chuckles, "It works... every time."
Roma reaches over to punch his arm playfully, "Didn't work on me!"
Ro rolls his eyes, "You don't count."
She punches him again, a little harder, "Frak you, you little prick. I will lay you out." Ro raises his off hand in surrender. She laughs again, then says, "I'm heading up to the booth.... you guys wanna come check it out?"
Parfait looks at you, Jack, eager to say yes. You've got to head to market soon.
What do you do?
Do you let Parfait stay with Roma? Ro takes off after a bit, wanting to get some breakfast and look through the stores.
I pull Parfait aside and ask her if she'd like to stay. If she would — and is comfortable with the appropriately vague responses we've devised regarding her history — then I'll gladly go take care of this bit of business first.
Ro walks out with you, chatting about some good deals he saw last night, a pair of earplugs that look a bit like yours that you might want to pick up, a thick sleeping bag, stuff like that.
You meet Kodak outside Dime-line's, head in, through the store section, through the curtain to the warehouse area and further back this time, to an area near a very thick set of metal doors, like a loading and unloading area.
Kodak points out the water filtration system, which looks like this:
"That... is one magical piece of technology, Jack." Kodak says with true admiration, the kind of emotion you might have for, you know, your mother or maybe even Parfait.
I look it over, and nod, "I suppose it's quite valuable then... How much are you able to pay for it?"
The double doors open, and a couple workers come inside, followed by Dime-line. He's wearing a very long shirt, with comfortable cotton pants underneath, with sandals. He inclines his head to you, and then to Kodak.
Kodak leads off the barter, offering six. Dime-line advises the unit is worth eleven. Kodak argues about some of the tech he has to trade, and Dime-line agrees to give him seven for the lot of it, but refuses to let the water processor for for seven He begins offering a few different items for Kodak's trade, acting as if the deal for the water system has completely failed. Kodak gives you a glance, seeing if you can pull it back
What do you do?
There's a pregnant moment, where Kodak looks at the two of you, just to make sure this really happened. Then he shakes Dime-line's hand and the deal is done.
Kodak asks, "Jack, are you staying here, or coming back later?"
"If you cannot afford to pay me now, then you know where to find me when you can... Or at the very least, I know where I can find a short-term room for Parfait and I if it comes to it." I offer him my hand to shake.
Dime-line waits for the two of you to finish up. He pulls you aside while the two men who came in with him head off with Kodak to get the water purification system on the Arvee. Dime-line says, "The rumors I've heard are true. You do you have a way of knowing the hearts of people." He smiles, showing his slightly yellowed teeth.
"You and Parfait are welcome to stay in my home." He says, putting a hand on your arm. "In fact, I'd prefer it. There are many people I want you to speak with, Jack. This is going to be a very productive few weeks. I insist on paying you, though. The deal is made, but the work I need from you, I must pay you for it."
This is Dime-line, by the way:
What do you do?
I suppose I cannot turn down an offer to stay here. "Very well... My only request is that Parfait's and my privacy be respected. If you can promise me that, then we will stay here."
If he has no qualms, then I will go fetch her.
You head back to Junk Radio for Parfait. The speakers are booming with some dancey song with repetitive lyrics, "Around the World. Around the World. Around the World." Somehow the sound of those words blend into the beat and become another kind of instrument.
Parfait is dancing in the broadcast room, dancing like nobody's watching, gyrating with wild abandon. Roma's got a pair of big headphones on, she's head bobbing to the music, watching Parfait with a big smile.
Oh, and by the way, the room, it smells like the weed used to produce "the smoke", like the temple used to use. It didn't before. Hell, its so thick you might get a contact high in a bit.
What do you do?
Finding Parfait dancing in a haze of that sickening weed is something of a mixed blessing. It is good to see her enjoying herself, but the weed has a tendency to make one sick in high enough concentrations – let alone the adverse effects it has on your mind. Forgetfulness, the feeling of bliss and suggestibility... I've always needed my wits about me. I cannot let myself get high. I open the door to the booth, and let the wall of smoke pass. "Parfait?" I call out, "Parfait my dear, can we speak a moment?"
What do you do?
After a moment, she pulls back, trusting in your hold on her waist and even leaning back a bit, putting herself almost off balance if not for you holding her up. "Roma is very nice to me. We are friends. I did the weed with her. I am flying like a bird!"
Below you, you see Kodak, Ro and Gala working with a couple of Dime-line's workers to get the Arvee loaded up with the water filtration system. Ro sees you two and chuckles.
What do you do?
"No, sadly... That's the kind of room one can only spend a night in." I try to soften the blow, "but I've got some jingle coming our way after the job is done — I promise that I'll get you a night in the rose room before we leave."
She spends enough time to try and distract you, wash away the disappointment, then pulls back, "Show me the room, Jack. Whatever room. I like sleeping indoors sometimes! Even though its too quiet sometimes and beds are weird."