Proper,
Its way the hell early in the morning. Pre-coffee early. The whatever-the-hell-it-was with the lights and the huge fight in The Bay ruined your sleep. Well, that and Tulle wanted some loving, and hey, who are you to refuse to comfort the poor girl?
The showers were off when you two finished up. Sinks, too. Whole level, even Chef's. No water. Nobody knows why.
Someone is knocking on your door, insistently.
What do you do?
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As soon as she comes in, I hug her. Not a sexy hug. A 'I'm glad you're alive' hug.
Then she looks over at Tulle. Back to you, "Can... can we go talk? Please?" She almost says "I'll pay", you just know it. But she doesn't.
"Yeah." I say, assuming Tulle doesn't give me a look. I lead us to the blue room and sit down on the bed.
She marches up to you, and reaches down to take your right hand, putting it on her chest, looking down at you. Her eyes are the kind of hard you know is a wall. She leans down and kisses you, sudden and fierce, pushing her tongue in your mouth, running her fingers through your hair.
What do you do?
What do you do?
I slow her down a bit. "It won't fix anything." I tell her. "You think you want it, but when we're done you'll still have that hole in your heart."
Not that it stopped me. I tried to frak it away. Tried to drink it away. Tried getting high, moving to a different place. Nothing. That's why I keep everybody at arms' length. It's safer that way.
Janco bends at the waist to start pulling her slacks back up, to fasten them, looking around for her top. She wasn't wearing a bra, she rarely bothers with it.
What do you do?
I stand up and press my open palms to her sides, looking her in the eyes- waiting for my answer.
I nod. It won't be the frenzied coupling she'd imagined, but I'll still frak her. Slower, gentler. A little like she's so fragile she might break. Well, that's how it'll start out anyway.
As you comply, because that's your nature, right? You give them what they want. She takes your right hand, kissing the palm, licking it for a moment, then she puts it around her throat, trying to curl the fingers around her neck.
What do you do?
Something hardens in my brain. Or maybe my heart. Who the frak cares. I'm pissed- who the frak is this bitch to use me? She's not even paying! Maybe I don't want to see her dead, but I certainly don't love her. I raise myself up a bit and pin her shoulders in my hands. I move with anger, frustration. She gets every pent up drop of irritation and annoyance I've been holding onto for the past few months. I frakking give it to her.
Janco turns her head to the side, not making eye contact with you. You realize she's staring at the wall, just watching the monotony of it, not out of some sense of boredom, the grunts and whimpers of need and the way she's bent her legs to pull at your ass with her ankles is enough to tell you she is enjoying the sex, at least on a physical level. But her mind is a world away, driven to numbness, exactly like she craved.
Even when you're angry and frustrated, you end up giving women what they want, Proper.
Afterwards, when you've finally sated you ire and finished, Janco mumbles a quiet, out of breath, "Thank you." She rolls to her side, still nude on the bed, her legs folding in on herself slightly.
What do you do?
Well, at least she got what she came for.
I go to leave, back to my room.
Tulle is up. "Hey," she says when you come in. "Playing doctor?" she asks with a grin. She's got some handi-wipes, she's busy cleaning herself.
That's... new. I don't ask my crew to share drek with me. I have my own stuff. And if I need something my crew has, I take it. Sometimes I tell them in advance, sometimes I'm an asshole about it. But I don't ask.
As you're cleaning, she says, "I heard from Velour that some raider gang blew up our air and water filters. This place has no water anymore. And I heard the Candies beheaded like ten raiders on the deck of The Bay to show everyone what happens when you mess with this place. It's pretty crazy, us locked up in here with all these folks, right, Proper?"
"Yeah. Crazy, messed up. It's gonna frak business up right proper." I tell her. "Folk aren't going to want to spend precious jingle on anything other than water." I sigh. Normally I have better luck than this- of course, the current regime of the Ascendant is so new... there aren't really new places around. I've spent so much time moving between established towns, I didn't have to worry about coups and whatnot. I mean, sure, they happened, but people still need to get laid, regardless of who's in charge.
Then again, if the council can get a lid on this filtration system issue fast enough then business could be back up and running soon, and we'd lose out on jingle by leaving.
After you're done cleaning, she asks, "Wanna do a show tonight?"
I have no intention of checking on Satin. I just don't feel like putting a show together, even though I know I should. What the frak is happening to me? How the hell am I gonna make jingle if I can't do my job? I want to find Trojan, get high and stop caring about all this drek. Then I'll be fine.
You can find Trojan if you want, Proper. He worked out of The Bay until he was able to set himself up with one of the girls in Nezzy's gang. Her name's Brita. You want to head over to her flat, looking for Trojan?
Yeah, I'll head for Brita's flat.
You head through the carnage of The Bay, people still mopping up, moving things around, pushing bodies off the edge to fall the six decks to the scrub, and generally trying to make it look like it used to look. All under the watchful eye of Buckingham. The predator in you tells you that he may very well have taken some extra shots at folks during the troubles to make sure he stayed on top here. How do you know this guy? Former customer? Former trouble?
You head down the hall through the gang's territory, du's folks all room together in tight spaces. Near the end of the hall in a double bunk is Brita and Trojan.
Brita
Trojan
They're both hunkered down over a table, carefully separating a sheet of blue "glass" into small, sellable baggies.
Brita looks up, "Yeah? You're Proper, right? What you want?"
Trojan looks at you, asking, "Silk want some more? She just re-upped yesterday."
"Hey," I say, more to Trojan than Brita. "Nah, for me." I tell him. It's not the first time, but it is rare that I ask for myself. Desperate times, eh?
Brita asks, "You getting glassy here? Not much room, but we can give you a chair."
What do you see in your drug-fueled visions, Proper?
Who comes to check on you?
I saw myself- as a council member. Business was booming and nobody called me a pimp anymore. I had respect. And more jingle than I knew what to do with. It was everything I ever dreamed about. And yet... Tulle wasn't there. I was sad about that. Was she dead? Or just gone? I can't remember...
Velvet comes to get me.
He helps you up, "Thank you, two. I appreiate your services."
Trojan replies, "Oh, it was no trouble. Proper's funny as hell when he's wasted!"
Brita says, "See ya, Hot Stuff!"
You walk out with Velvet, past du's gangers, who ignore you. It's a smelly place, their sets of quarters, like some dormintory of teenage boys more than an organized fighting force. But they do have guns, so that counts for something.
"Tulle's setting up the show, should be a doozy," Velvet says, looking over at you as he says it, watching your reaction. "Good call giving her another chance."
"Mmhmm." I mumble to Velvet. I have seen him drunk or high a couple times- though it seems to be rare for him. We all have bad days, yeah? Or good ones. Yeah.
"Whatcha been up to, man?" I ask him. It feels like it's been forever since I've seen him. I wonder what he's dug up about the explosions.
Velvet raises his brows to see what you think. Then, he adds, "Can't confirm who yet, but I hear someone on Council is a plant from Trench." He smirks now, pleased with himself.
"Oh," he says suddenly, as if he just remembered it, which you know he didn't, "Sapphire the assassin is on board. I'm rather sure I can find her."
Very interesting. If someone on the council is a plant from Trench, that means Spanx is trying to get her claws into the action here. I have a deep, personal dislike of the woman- lets say she and I have history- and if I could ruin her plans while also helping my own business it's be a great day for me.
"Anyone stick out to you?" I ask him. "There's Kiddo and that other doctor, but I don't like either of them for it. It's probably not going to be Nezzy herself." I muse.
You reach your level, and start heading out. Velvet pulls you towards his room, which is currently empty, "Tulle has them all practicing. I went to find you." He heads over to the small fridge he has, pulls out a bottled water, hands it to you, "Hublot is a sore thumb, some art nut that Nezzy favors. Bacardi's a maybe, he seems for sale to the highest bidder. Chufi would be the one I'd choose, though. Access to everything. Trash is all around, you know."
"Thanks." I say, gulping at the water.
He thinks for a moment, then adds, "If you want to cut and run, we can."
"We'll see. Give 'em a week or two, see how it feels." I normally have a good feel for situations. I know when to hold and when to hit- when to sit back and let everybody stew.
Screw this drek. I'm gonna be that frakking guy again. King of the castle. "We'll do the show- show 'em we're not gonna be stopped by bombs or nothing." I feel a little better after I say it. More confident.
What do you do?
"I don't have a couple jingle to spare right now, and I certainly can't afford to chip away at my customer base before the water comes back on. I appreciate it, man, but I don't think it's the right time." And there it is- the thing I used to be proud of, but not so much anymore- I'll do just about anything for jingle.
He looks at you, cocks his head, asks, "You need anything?"
Maybe I will go up to the garden. I don't have much else to do right now. If I hover around Tulle too much it may make her nervous... or annoyed. "Yeah, maybe I will." I say, more to myself than him.
There are benches and a small footpath here. It's crowded by wines and the like, but still, its nice. A little romantic. As you're walking around, you spot a girl sitting on the edge, the very edge, legs hanging off the side. She's scribbling into a journal with some charcoal pencil, doodles and words, all in wild patterns, like animated poetry or art with captions, hard to say, really. Her head is shaven, her fingers are stained with charcoal, paint flecks under her stubby nails, but she's beautiful.
Here she is:
Might be an interesting enough distraction, right?
What do you do?
"I see a mostly barren, mostly miserable rock," I start. "But I can't really complain what with such a lovely garden around us."
The girl puts her charcoal down on the dirt, closes her journal and turns to you, "I'm Faille," she pronounces it like "file". "You've never been up here, have you? I can tell from your eyes, and the way you hold your shoulders."
I stare out at the landscape.
I put a hand on the ground next to hers- barely touching her.
"Can I sketch you?" she asks suddenly. "It'll look drek, but it helps me remember moments... and people."
She wrote some words around the edges, Proper. Two that sit at the core of who you are, and two that are threats that bring you down. What are they?
I stare at the paper- surprised she's seen through me so easily. I keep my face neutral, though I'm sure she knows she's seen the core of me.
"Nice." I tell her, suddenly uncomfortable.
Faille closes the flap, then looks at you, looking at her. She quirks a brow, "What do you do? For jingle, I mean."
"What do I do?" she repeats. "I used to dye things, but when The Bay blew up, I lost all my stuff." She looks around, then leans in to say quietly, "Now, I just float."
This girl could be in my show- she's beautiful. If she's halfway decent at frakking I could make a big pile of jingle with her... Still- I don't know her, don't know if there's anyone around who'd be jealous, maybe want to take it out on me.
I stand up. "Well, see you around. Come by the show if you like. I will hook you up." I don't define with what. I don't want to press her too hard, but I also can't turn my back to an opportunity. I turn and take a step to leave.
I give her a grin.
She turns back to the horizon, letting you go on. Where do you go?