Hottopic,
Far off in the Maul, this song is playing softly, echoing across the concrete walls.
"Good morning, Hottopic."The words rouse you from sleep. It's the "special" robot, still in your lap as you fell asleep with Muzak on your bean bag chair. Ball Pit is slacked out on the floor, still knocked out. It's morning. The No kids haven't come in yet, so it must be pretty early.
What did you dream about, Hottopic?
What do you do?
Comments
I sit up with a violent intake of breath. The room is still - Muzak next to me, but quiet; Kay-bee's eyes glowing as the last syllable of my name fades out; Ball Pit making that little snore. No kids.
"Good morning, Kay-Bee." This is new. I wait.
"Did you sleep well, Hottopic?" The tone is tinny but concerned.
"No, Kay-Bee, I didn't. I killed... lost a friend last night, and it hurt me a lot. I dreamed about him. So... you're starting conversations now, huh?"
"You did not kill your friend, Hottopic. Do not be sad. Are conversations... unwanted?"
"Not unwanted at all. Just... new. Thank you for the kind words."
It seems like Muzak. Seems logical, at least. Kay-Bee didn't talk before, right? You didn't do anything to Kay-Bee. Or does this kind of thing "just happen" around you? No, seriously, does it?
"What do you want to do today, Hottopic?"
* Get chockies for the No-Kids.
* Do something for GNC, for the above-and-beyond yesterday.
* Take care of Ball Pit.
* Deal with Big Mac somehow - make sure he knows I took care of Muzak.
* Not get killed.
Apparently I don't have a project today. I should have a project.
"Aside from that, Kay-Bee, do you have any ideas?"
Kay-bee queries: "What does GNC want? What makes him happy?"
Then, before you can answer, it asks, "Is Big Mac a threat, Hottopic?"
Where are you heading for chockies? What do you trade for them? What does GNC seem to like: food, gadgets, one-on-one instruction, clothes, what?
I think the best place to head is actually the lobby of the AMC. Like I said, chockies, but also the impromptu market that winds up happening with the influx of out-Maulers for the opening night of a show.
((I'm willing to throw some decent jingle if I can find someone with a bike to sell. Say 1-barter for bike and chockies.))
I make sure Ball Pit is tucked in good, tuck Kay-Bee in a sling bag along my side, with the head poking out, and leave my room. Assuming GNC doesn't stop me on the way out (if he even made it back from AMC last night), I'll head out into the Maul proper, in the direction of AMC.
The rest of the day is what you'd expect. Business is done, food is made and consumed. There's a particular spot where the geezers play a game called "Cheese" on a board with 64 squares, but I've never really dug it. I mean, AMC's all about flash and fucking, but for most people, most days, it's all about the next meal and not being bored out of their skulls. It's a life. Not a good life, necessarily, but a life.
(Did you teach him this stuff?)
This is Payphone:
"Hey Hotty," he calls out. Then he puts down a weirdass machette he was working on, and walks out to catch up to you. "How are you doing?" He's all smiles this morning. How are you two getting along lately?
Strange, for the last few weeks he's been acting all chummy. Suspicious.
"Yo, 'Phone. How's biz?"
I let out a breath that might be a sigh if it wasn't so frustrated and full of self-loathing.
"Ball Pit's gonna be fucked up when she wakes up. Rache gave her something that got her to sleep a few hours ago and she's still sleeping it off. Listen..."
I look at 'Phone, consider. "I got to be moving for a bit, shit to do and all, but... if you want, you can check in on her later. She'd appreciate it, I'm sure."
On the way, I grab a bit of breakfast from one of the kiosk grills (not the Food Court)... it's probably rat, but they apparently traded for some fresh herbs recently, and it tastes pretty good. Better than mystery stew, anyway.
Aveda's been here your whole life, Hottopic. He's run this kiosk, grilling and selling food. He's been robbed more times than you can count, but the guy refuses to fight back, or to quit. Has he ever told you why?
The rat today was a bit of gristle, but he hid it with some extra spice, and a bit of crunched up cracker. Better than the stew, like you said. Regis Salons was here at a stool when you walked up. She's just finishing her stick of meat, too. She looks over, asking, "You hear about the big fuck n fight at the AMC?"
This is Regis:
Aveda chimes in, "Bet Walgreen's wall to wall, yep."
As Regis mentions the fight at AMC, it's like electricity runs through me. I know GNC is probably there somewhere, and anything that affects Jet and his operation eventually hits my bottom line, as well. "What happened? Who's fighting?"
"Damn shame." Aveda agrees.
"So, 'Veda... were you there?" Regis asks with a little grin.
Aveda shrugs, "Me? Hell naw, aint got jingle ta spare fer that. Not like my equipment works anymore, so why bother?"
Regis looks to you, "You go to the shows, right? Did you see the big fight?"
I finish up breakfast. "Like the spice, Aveda... I've been eating your slop for years, and you still manage to pull out a surprise every now and then." I try on a smile, which doesn't fit too well today, and get off the stool, heading toward AMC, more cautious now.
You pass by Dillard's, which, when empty, looks like this:
Of course, it is rarely empty. This is one of the bigger scav gangs. They simply call themselves the Dillards, and while half their number is out getting new supplies, their bookers, skinners and crafters are here, under a light guard. Why don't they like you, Hottopic? Something recent, right? I mean, it'll blow over eventually...
Ahead is the AMC, looking pretty dead (meaning no folks in front or moving around, no visible activity). If you hadn't heard about some fight, that would seem normal the morning after a show. But it seems a bit spooky now.
What do you do?
I feel the spooky, look for signs of violence, and (finding none that are obvious) walk right on in, look around the lobby.
I keep walking.
You head into the lobby, which smells like old sex and burned popcorn. Coming Soon, the guy who runs Concessions most of the time, is sitting on a bucket, reading some magazine when you come up.
This is Coming Soon:
He arrived when Jet Black arrived, even though he didn't travel with the AMC. Did he come from some raider gang or something?
He looks up from his mag when you come to the glass counter. The display cases are empty now, except for lewd pictures and "pieces of art". "Hottopic. What do you want today?" He says it in that nasal droll, that he'd rather not be bothered right now, but well, you're already here, and you're probably not going away.
Actually, I'll go a bit further. I need this stuff to clear the balance sheet. "Hey, I know you were talking about your lady wanting something... special... I got a thing. You get me the chockies and a lead on a two-wheel, and I'll give you a Doc Johnson Special to give her. With charged batteries."
((HT tends to overpay when she's on a mission...))
He slides the rasi ets to you, then answers the question about the fight, "Oh, the VKs came rolling in, went right up on stage, started some shit. Jules and the others showed them what for. Maybe five or six over at Walgreens, pretty effed up."
This is not good. A fight's a fight, but on the scale CS is talking about, inside the AMC? That's fucked up. I'm not too shaken to take the rasi ets, though, and I don't think his "tips" on finding a bike are quite what I was hoping for if he wants to earn the Doc Johnson. I was hoping he'd seen something from the out-Maulers, not the same old shit I already know about.
He leans over the counter, "So... about that Doc Johnson?" He raises his eyebrows in expectation.
He looks at you, a little frustrated and put out, "That good enough?"
What do you do?
Sure, some of them, on an individual basis aren't perfect. Spots of acne, large noses, old scars, stretch marks, all cleverly hidden by makeup, but obvious in the dim light from the door on their sleeping bodies. But still beautiful, are they not?
And no, AMC is not here.
One stirs, a woman. She looks up at you. Her name is Nan. She is topless, wearing only the poofy skirt from her costume the night before. She sits up, scratching at the rows of thin scars and fresh scabs of narrow cuts along the inside of her forearm. "Good morning, pretty," she says low, just for you.
I close my eyes for a second, just clearing my mind. Still speaking softly, "Hey, did you see GNC last night at all? Heard there was a fight and just wanted to make sure he's okay while I'm here. And... what happened? Violence Kings coming down on the AMC?"
She reaches her fingertips out to stroke your forearm, "Oh pretty, you want to know the why? Why would the VKs come down on us? Sweet N Sour. He was determined to speak with Jet, but Jules said nay nay. Then... they earned their kingship."
Nan continues to trace her fingertips along your forearm, to the crook, then lightly walks her fingers up your bicep to your shoulder, "You have nice muscles, pretty." She cocks her head to the side and smiles wide enough for her dimple to show.
...and the snipe hunt takes me to Walgreens.
"Not soon enough, pretty." Nan replies to your back, a touch sad.
Walgreens isn't so far away, so let's skip ahead to there.
Outside is a bit of a line, the regular dregs of humanity looking for someone to whine to, or to doctor them a little, maybe give them food. I assume you cut line to look inside?
You spot GNC in there. He's helping Walgreen with someone, doesn't look like a dancer, though. Just like GNC, isn't it? Helps out someone a little, then gets drawn in, and then can't quite figure out how to extricate himself. He hasn't seen you, though.
What do you do?
Oh, and by the way, you see one of the dancers here, Hottopic. It's the beautiful and talented Esco. She is sitting up, dressed in a white hospital gown. Her head is leaning to the side, on a pillow, and her eyes are glassy, unfocused. She looks... lost inside herself, Hottopic.
What do you do?
I walk up to her slow, looking her over in the hospital gown. That spark of... freedom, potential energy, what?... is gone, hiding behind dead eyes. Walgreen's operating, don't want to interrupt, so I look closer. I lean in toward that face, look straight in the glassy eyes. A small part of me notices that Kay-Bee's eyes light up. "Good morning, pretty," I say low, just for Esco.
When you ask about Esco, Wagreen looks over with weary eyes, "Poor girl had a stroke. She's just now starting to respond to the outside world, hard to tell how long it will take for her to work her way back. And Jet isn't paying for her, so she's my new pet project." He says tha ironically. Walgreen doesn't like nor often take on pet projects. Maybe the pretty girl gets special treatment? Have you heard anything about Walgreen and how he handles patients like this?
When you check in with GNC, he heads over to grab a bottle of water, downs most of it before answering, "I'm fine. Better than Godiva. Couldn't sleep, ended up bringing folks here, then helping out. You?"
I haven't heard anything for real about what Walgreen does with his rare charity cases. There are rumors, of course, but I think maybe he started them himself just so people wouldn't want to end up in his debt. I mean, there's no way he's really got the equipment to perform the kind of experiments they say he does. Right? Some of that shit would break eventually and who else would he ask to fix it but me? I'd know... Right?
I tell GNC to get some sleep soon and make to head back to the Lab, check on Ball Pit, think about a few things.
You seem like you're leaving, right? GNC says, "Hey Hotty, I'll come with you." He bids Walgreen adieu after washing off with some alcohol before he moves to catch up to you.
"How's Ball Pit?" GNC asks as you both start walking back to the Lab.
"Ball Pit was sleeping hard when I left. Thought it was pretty safe that she'd stay that way for a bit - Rache dosed her pretty good."
I know GNC was heading over to me when Playboy "solved" the Godiva problem. Does he seem okay with me today?
"What the hell got into Godiva anyway?" he asks suddenly. Then, before you can answer, he says, "You know I was gonna stop him. He shouldn't have... you know, died for it."
After a pause, catching his eyes. "I know you were on the way, GNC. You've never let me down yet."
Ball Pit is up, hunched over a work table with some java she brewed up, drinking quiet and lost in thought. She looks at both of you briefly, but then she's back to her java. GNC gets to work on some regular maintenance work, falling into the routine. He soon gets to Godiva's tasks. You know he'll move on to do Ball Pit's work, too.
Anything else in this scene?
I take Kay-Bee with me into my room and close the door. Sit on the bed. Breathe, in and out, for a long time. Unfocus my eyes.
After maybe 10, 15 minutes, I whisper. "Esco? Good morning, pretty..."
augury
I reach through the psychic maelstrom to someone connected to it, and because I took the time to relax and prepare, it's stable and contained, no bleeding.
"Morning? Is it? Not good. But morning. You're Hottopic. I... I know you, right? Help me up. I'm stuck, can't move. My head hurts so bad and Cache broke me, I think. I walked in to Mamma's, then everything exploded in my head when ze glared. Then ze tried to talk to me, and zir words burned my.... my everything. I hurt everywhere. I need out of this! Hottopic, you gotta help me!"
Sometimes, when I walk past something that's broken, it actually hurts to keep walking, and even when I've moved on it's like an ache in the back of my neck until I go back and fix it, right? Always things, though, but...
...right now, I'm feeling Esco's pleading, I'm thinking about Ball Pit mourning over her coffee, GNC blaming himself and soldiering on... things aren't the only things that break. I'm feeling that ache...
"I'll do what I can, Esco. I don't know what that is yet, but I'll do whatever I can. I want to see you dance again."
I let the "connection" close... there's thinking to be done.
Back out in the workshop, I give Ball Pit a kiss on the forehead, make sure her coffee's hot. Look over at GNC, if he happens to meet my eye I'll nod. Then I go over to my own workbench.
I run my eye over the "to-do" shelf of toys that I haven't fiddled with yet, grab a red battery-powered car. Line up my tools, make sure the bin of electronic flotsam and jetsam is within easy reach, and hit the zone. An hour later, I've "fixed" the car. Nine times out of ten, that just means it'll do what it was made to do (in this case, zoom around the floor in a figure eight or whatever). Every now and then, something... unusual... winds up happening.
I hit the switch and put the car on the floor...
((Not trying for anything specific or useful, just tossing the ball over the net.))
It then starts walking towards the door out of the Lab. Not running, just marching. Ball Pit sees this and gawks. "The hell...?"
What do you do?
"You made... a guard or somethin?" Ball Pit asks incredulously.
So, there's stuff to do. Godiva would've checked the generators today. I usually make the rounds a couple times a week, see whose stuff needs some TLC. I want to check in with Jet, see if he needs anything from me after last night's disaster. I can think about Esco while I work. I'll keep Kay-Bee with me for "ride-along," and keep the chockies handy in case I run in to any of the No kids.
Do you ever check on the Dillards stuff? How does that work?
As you're headed to the AMC, the No trio catches up with you. Sliding squeals when she sees you and runs up to grab your hand while she walks with you. "Hiya Hotty!"
For anything other than Maul-general stuff, I only check when asked, and never do anything pro bono, although I am pretty flexible about terms depending on who's asking.
"Yo, kids! What trouble are you causing today?" I will not mention the chockies - I'll wait and see which one can't take it any longer and asks first.
"Some Mankins got killed," No Smoking says. "Wanna lookit their bodies?"
Doc is creepy, and he mixes and matches bodies like I do wires and chips and such. These kids should really not be around him when he runs out of parts.
As long as they're moving with me, I'll keep on toward AMC.
"It's a fucken lie, I told her." Smoking says, "Didn't nobody seen her. Playboy would beat her ass up, right?"
"Sliding, I want you to be careful with Playboy. She may like you, but she's like one of those dogs they raise over at Shell, out-Maul. Even when they're your friend, they can really hurt you if you surprise them or piss them off somehow, on accident." I shudder. Actually fucking shudder.
"Yo, Storage... what's going on? You want to check out the generators with me later?"
Sliding peers up, "I aint skeered, Hotty. Ima quick an badass. Playboy won't catch me. Nuh uh never."
Storage nods enthusiastically when you ask if he wants to check on the generators. He's fallen back into that quiet mode, was trailing behind the group, but listening.
Sliding's bravado aside, I said what I needed to, and I had my "serious face" on, so I'll let it go for now, but keep an eye out. I'll keep on toward the AMC, give 'em the chockies once I get there if none of them have asked yet.
The robot's eyes flash, it barks in a metallic rasp, "DO NOT TOUCH ME!" Storage's eyes wide in shock, Sliding squeals with excitement, but she's still trying to pick your pockets, and Smoking gasps.
What do you do?
Manipulate +1 XP
Kay-Bee's z shield, right on its chest, cracked open. Cosmetic more than anything, but there's nothing to do for it, really. Also, the crack will grow over time. Maybe some epoxy or something could stem the tide, so to speak.
Do you hand over the candies?
I'll tuck Kay-Bee back in my pack after I look it over. Not sure if there's any epoxy left in the Lab, but I'll check when I get back there. For now, I'll just make sure that the robot's secure.
"Listen, kids. I got business to do, so I'm gonna let you eat your chockies. Storage, why don't you meet me at the door to P2 in a little bit, we'll go down and look at the generators."
"I am... broken, Hottopic." Kay-Bee intones with what seems like sadness as you continue on to the AMC.
"Kay-Bee, those children are so disorderly, unruly and annoying because they're children. They haven't learned yet how to be fucking chaotic, violent and hateful like most of the adults they come across. They'll get better. Storage at least really wants to learn stuff, and the other two, well... I try to give them a chance to just be kids every now and then. They're gonna be in the grownup shitstorm soon enough."
More sober now. "Kay-Bee, I don't want you to lose function either, but I do want you to see the world, to learn about the things you have questions about. If you'd feel safer, I can leave you in the Lab?"
Then, after a few moments, "What was humorous?"
After I've stood up and taken a few steps, "I'm glad you want to stay with me, out of the Lab, Kay-Bee."
What don't you go over here?