Stitch,
When you got to Salt, did you get a room at those weird mobile homes? I assume a real bed would be nice, right? That night at Salt was hilarious, the Candies all danced like crazy to old rock n' roll and got pretty trashed.
The next morning was quiet, the Candies all slept in various places: several shared a room together, some spent the night with some Salt villagers, others slept on the floor of Ollie's after passing out. It took over an hour for Kiddo to round up all the North Candies, then you all headed out.
Oh, it seems that Kiddo's brother Hump and her Gramma Jemma are coming along. Jemma brought her "Fatboy" out of retirement for this ride:
Hump rides with Jemma, but man, you know he'd rather be in Metro's van. How did that work out?
You rode north all day. In the evening, you passed that scuttled pick-up truck, flipped on its side, riddled with bullet holes where you saw candy bar wrappers nailed into the tires. The North Candies whooped and pointed proudly, Mamba fired a couple shots in the air. It added a little excitement to the air. But everyone was getting tired. Tired riders are dangerous. Kiddo pushed everyone on to Trench, you arrived late, late at night.
In the morning, you and Metro are good to go. Unfortunately, the Candies got really trashed again, and Kiddo ended up telling everyone to sleep in and you'd take off the next day. Metro doesn't seem fazed, he actually likes Trench. After Kiddo's announcement, it looks like you've got time to kill. Jemma and Hump are around, if you want to socialize with them at the little restaurant stall out here in Outer Rim... what is the name of that place and what do they serve?
Or did you want to check on the infirmary in town? Metro told you he could get you inside, if you wanted.
Comments
Hump got motion sick- he seemed to want to ride with us in the van but Jemma didn't really give him a choice. She wasn't mean about it, but he wasn't going to say no to her.
The restaurant is called the Curb- they serve all sorts of stuff- the offerings change depending on what they can find. Mostly they don't even have a menu- you just show up and pay and they put a plate in front of you.
I spend time eating with Jemma and Hump, but I really want to check out that infirmary, so I excuse myself and take Metro up on his offer.
Regardless, Metro is happy to lead you to the gate to Trench. One of the guards, a beefy guy with a crew-cut, recognizes him, "Mr. Metro? Gods, it's been forever. You look great, sir!"
Metro nods politely, "I'd like inside for the afternoon, please, Chesdale." Chesdale, the crew-cut guard, he ducks his head, orders the guards to open the gate, then waves you both in.
You pass through a second gate, one where there is a space with no people at all. There are machine guns mounted on the inner wall, and this walkway between gates is basically a killzone. You see old bloodstains on the ground and walls. No bodies or skeletons, but they don't clean this place out here too well, probably as a warning.
But that interior gate, a big shiny bronze one, it opens up to clean cobblestone streets, people, healthy-looking people inside. They're all clean and dressed in bright colors, vibrant stuff. Yeah, sure, there are men and women with guns on the roofs watching over you, but still, these people look happy.
Metro takes your hand, leads you on into market, which is where Kodak was trying to get you before. The place is an open bazaar. Its easy to spot the out-of-town traders from the locals, the "citizens". The non-citizens have their passes hung around their necks, and they look a little worried, like jumpy, not wanting to get in trouble.
Metro is pretty quiet here, just watching. Several people recognize him, call him Mr. Metro. He's aloof, pleasant but aloof. He leans in to ask, "Straight to the infirmary, or did you want to look in the market, Stitch? They have hydroponically grown fruits here."
I look around the city, trying to take it all in. I'm surprised we don't have to wear visitor passes. "No passes?" I ask Metro after we are past the gate.
I was about to say straight to the infirmary when he says the magic word- fruit. I sort of melt a little. "Fruit? Like not from a can?" I ask. "Show me to this magical market!"
"Exactly. There's a subterranean grove," he taps the ground with his foot, "Right under here. The heat lamps are a drain on resources, but as long as Spanx keeps the solar panels maintained, she can handle it. Some might call it a luxury."
He pulls out a few crushed cans from his pack and walks into the market with you. There is a young girl selling tangerines and apples. They look amazing. Metro pays for them, then hands you one of each. "Go ahead. Try it. What do you think?"
How do they taste, Stitch?
"I'm starting to understand why people want to live here so badly..." I say.
Oh god. The taste! It puts that muffin back in Boomtown to shame! I close my eyes and the experience is... intense. The flavors! The juice of the tangerine dribbles down my chin a little and I don't care one bit. "This is the most delicious thing I've put in my mouth in my entire life."
He walks you around the market, showing you the cobbler, the tailor's shop, even the artists' corner. He says, "It is a bit medieval now, but I hope this place can continue to grow. To help more people. But, I'm worried."
"How come?" I ask him. Trench's set up may be medieval, but looking around, I see folk smiling. People are happy here. Healthy.
You notice that Metro isn't too lovey-dovey. He's near, he put an arm around you, but he's still guarded. "To the infirmary?"
I get why he's not doing the public displays of affection- I follow his lead.
"Yes!" I say. I'm actually excited to see it- I wonder if I can maybe pull a shift and fill up my last stock. I wonder if they even need a doctor, maybe they are all set here...
You see a small red cross painted on a small building not far from the center of town. He walks into a small place laid out like this:
There is a man and woman sitting quietly in the waiting room. Metro looks at the reception area, where a woman in white is writing on some papers. He says softly, "Hrm, I don't recognize her."
He walks up to the reception and says, "Hello, is Lever here?"
She frowns, "I'm sorry, sir. He's resting upstairs. Do you need to see a nurse?"
Her eyes widen slightly and she sits up. She stands, "Oh. I'm sorry, Mr. Metro. He's... he's rather sick. If you can come with me, I'll take you to him."
Metro looks back to you, Stitch, saying softly, "C'mon." I assume you follow. The three of you head back through the meager pharmacy where you see a pair of young people in white with mortar and pestle crushing out and measuring medicines. through a door to a set of stairs up to a second floor.
The receptionist, she raps on the door, which opens a moment later. Metro and then you are both on the stairs. The stairs are stone, but outside in the warm day. She beckons you inside when the door opens.
You enter the room, a modest apartment, one that looks like it is sparsely appointed, with a bookcase full of medical texts of a wide array of ages and detail. There are maybe thirty different flower arrangements in pots all around, not in the best shape. They remind you of floral arrangements sent for funerals.
In the middle of the room is the man who opened the door for the receptionist, who is just not leaving. He looks to Metro, shakes his hand, this man, he looks worn and tired. Sitting in a corner near a door is a very pretty young woman who looks dazed, glassy-eyed.
The man, you know him. You laid him out, once. It's Ivory. Metro is about to introduce you.
What do you do?
OOC: Read a sitch incoming.
(Rolled: 2d6+3. Rolls: 2, 6. Total: 11)
You should watch out for that girl, its Medley, she's high as a kite on something. She's been pushing it for a while, you can see small sores on her mouth hidden by lipstick, her eyes are bloodshot and her hands are shaking. She looks like a budding tweaker.
Metro pauses, then says politely, "Stitch is not an insult. She's a doctor. A very accomplished one. I thought this would interest you?"
He continues to scowl, but instead of saying more, he walks away, towards the door where Medley is sitting nearby. Metro follows. Medley doesn't really react to this.
Inside the room is dominated by a big four-poster bed. It's by far the most ostentatious thing in the whole apartment. There are pictures on the wall. Which is totally normal in your head, Stitch. Except you realize that you haven't seen a single photo since you landed on this crudball. They're of Lever, the old man, the doctor and father of Ivory. Also, there's a woman, probably his wife, in most of the pictures. They look happy. She's not here.
Lever looks very infirm. Worn. He greets you in a reedy voice, "Oh my son, I told you I am far too old to survive visits from such pretty ladies. My heart cannot take it." He offers a weak smile, "Perhaps if I close my eyes, I will be able to bear the burden of looking on her for a bit longer."
Metro comes in to stand by his bedside, "Lever. It is Metro. It is good to see you. This is my good friend Stitch. She's the pretty one."
The old man opens his brown eyes and he smiles again, "A doctor? She is too young..."
What do you do?
I walk over to Lever, smiling at his comment. I kneel down next to the bed. "I'm older than I look." I give Metro a secret smile.
I look between Metro and Lever- I'm not quite sure how to ask the old man if I can check him out.
"I'm old, that's all." Lever explains as you start to examine him. "My only regret is never finding someone to fill my shoes. I have triage nurses, a couple in training, but there is so much for them to learn, and so much is..." he points to his head, "Just here."
I nod, agreeing. "Medical knowledge is scarce here." I've seen versions of this before- older people sad to see their memories won't be carried on by anyone.
He squints up at you, "You should mess your hair up. Smile less. You're too pretty. But inside... you are a doctor." He winks.
"I know. I pulled a girl's appendix out on the hood of a car." I'm proud of that and not too shy to brag about it. "It's this place, maybe. You grow up fending for yourself- who can blame people for not wanting to help others when they don't know where their next meal will come from?"
I try to imagine Ivory as a doctor and I'm glad he never went that route. This planet makes people hard. Too hard, maybe.
OOC: Read a person incoming.
(Rolled: 2d6+3. Rolls: 4, 5. Total: 12)
He keeps talking, "You know, I like you, Stitch." He leans in a little and whispers, "I'm going to tell you a secret... I think Metro brought you here because he wants you to take over the infirmary. I'll move out of here, in with my cranky son, who really does love me. I'll stick around for a little bit, grease palms, introduce you to the Guild Masters, show you the undercity... but you're with Metro. He's probably told you all that, of course."
If you make him think Metro is worried about you surviving or doing well, he would be motivated to try and help you. He's used to folks only giving half truths to get what they want, and he doesn't like it.
"Oh." I start, searching for words. "That sounds like Metro- we had some gang trouble in Boomtown and he was worried about me. Setting up shop here would be... different."
I make a mental note to ask Metro about the undercity. I wonder why he didn't say anything about the Guild Masters?
"I'll have to think about it." I answer after a few long moments. "I was supposed to go up to the Ascendant. You're not planning on dying today, right?" I joke with him. I'm sad I didn't meet him earlier- working with him would have been an honor.
You help him put his top back on, and he thanks you. He looks at you for a long moment, like he's trying to decide something. Then he leans slightly forward, "You do know the truth about Metro... right?"
I'm tempted by the offer. I'm sure that Trench is certainly hiding things, but there are worse places to be. There's a part of me that would rather ride around, helping those who can't get into Trench, but I know I can't help everybody. Staying here would also put several walls between me and Ronnie...
"I do." I reply. "He and I traded truths. Maybe I'll tell you mine one day."
There's a rap at the door, then Ivory sticks his head in, "Father? Johndeer needs to speak with you."
Lever sighs, looks to you apologetically, "Safe travels, Stitch. I look forward to seeing you again. And... work on the grumpy look. You keep ruining it with those smiles."
What do you do?
I let myself out of the room, looking around for Metro.
When he sees you emerge from Lever's room, he touches Medley's forearm lightly, then stands up. "Everything alright?"
He looks to Medley, then you, "Oh Stitch, this is Lever's grand-daughter Medley. Medley, this is Stitch." She gives you a wan smile.
What do you do?
"You want me to stay." I say to Metro quietly, not asking.
"Anything I can do for her?" I ask quietly about Medley. It seems weird to ask him- I'm the doctor- but no sense beating around the bush.
I wonder if Metro will continue to work on the towers if I take over for Lever. He'll leave me here and move around. He will feel like I'm safe, but will I be?
While you're standing in the shake of an arcade walkway, he reaches into his pack and pulls out another tangerine for you, "Are you alright, Stitch? Anything you want to talk about?"
"I'm getting mixed signals from you- you want me to take over for Lever but you're worried this place is stagnating." I explain.
I don't say that my real fear is that I would be giving up helping people who really need it- people like Payday who would have died without me- for the safety of the walls.
He turns to look at you, "I did not expect the hard sell from Lever. The last time I'd spoken with him, he was in perfect health. Yes, he was looking for a successor, and I did want you to see the infirmary as it works day to day, not some special presentation he might have put on for you." He shakes his head, looks down at your feet, "I shouldn't have brought you to see him like that. That was not fair. Please forgive me."
Metro opens the door and you enter a small foyer with nice red carpet, soft live music playing. It's an actual, honest to goodness restaurant, the smells of Asian cuisine. There are red curtains blocking off the rest of the place from this small entryway. A fairly attractive teenage boy greets you and takes you to a table. The interior of the restaurant is a dozen tables with white tablecloths, nice table settings, matching chairs. There are only two open tables here, and the clientele are well dressed, clean and pleasant. Some of them seem to recognize Metro.
You're very under-dressed.
What do you do?
The boy ducks his head, "No, Mr. Metro. You are an honored guest. Please, come and sit."
For a moment, Metro peers at the teen. Then he says, "Expo? You're Expo, aren't you?" The teen smiles. Metro chuckles, "You've certainly grown."
"Please," Expo says as he pulls a chair out for you, Stitch, "Sit."
There was a bit where the people eating generally grew silent, as if they were eavesdropping on this conversation. Then, Expo's move to seat you seems to re-balance things. People resume eating and chatting. Nobody interrupts you, and after a couple minutes, a waitress comes out to list the chef's specialties for the evening. Which one has you salivating, Stitch?
"Why is everyone so nice to you?" I ask quietly before the waitress comes over. She talks about the specials- all of them make my mouth water- sushi! It was probably my favorite food back on the moon, though I didn't get it often. "Will you pick for me?" I ask Metro- he would know what's good here.
When you ask Metro to pick, he rattles off, "We will have the following: grilled shitake, hokkaido uni, black truffle ball sushi with black truffle dollop, shimaji and grilled unagi. For dessert, do you still have the melon?"
She smiles and leaves you two alone, returning with a white wine and a small green salad. Metro smiles when he sees you react to the fresh greens. He pushes his plate forward, "Would you like mine, too?"
I want to take his hand, but I stop myself. He's a private guy and I don't want to make him uncomfortable here. "What did you do?"
The sushi comes out shortly after, and it looks expertly prepared, and delicious. The next bit is taken up by the pure delight of an amazing meal. It definitely takes the edge off. As the two of you sit quietly, you notice that folks are ending their meals and filtering out. Pretty soon, you'll be the only people left in the restaurant, it seems.
What do you do?
"When was that?" I ask him.
I take a bite of the roll- it's delicious, of course. I wonder if they have the same kind of fish here that Earth had.
And now it is just the two of you here.
He takes a few bites of the melon and washes it down before continuing, "With the harsh climates, its easier to cultivate crops in a stable underground area. Undercity isn't that big, really. But there are nice gardens and some other interesting places. Like the lake, and the mine. Trench has so much potential. Maybe in a generation, it will change again."
I smile a wry smile. "Maybe." Not all of us will see that...
"Curfew?" Metro asks after swallowing some melon. "It this across Trench?"
"Yes, sir," she answers.
Metro blinks, "Is it a sundown curfew?" She nods. He pulls some tin cans and a small electronic watch, an Ironman, and puts it on the table, "Will this cover the meal?" She nods again.
"Change of plans, Stitch." Metro says with a sigh, "We can either hurry to find a hotel or head back out to the van. Your choice."
He stands and offers you a hand, "C'mon, Stitch, let's get you into a bed."
--END SCENE--