Proper,
It's morning, or your version of it. What time do you normally wake up? Since most of your clientele work all day and spend time within your establishment in the off hours, I take it you're a night person?
Do you wake up alone? Is that normal?
What's your flat like? Are you in one of the container homes above-ground, with a nice view of the surroundings? Or do you have a larger, safer home in the underground half of Armour?
Comments
I push someone's arm off me- I seem to remember a woman last night... oh, and another man. I grin. That was fun. The man seems to have gone, but the girl is still here. What was her name? It doesn't come to me. I sit up and light a cigarette. Most days I wake up with people in my bed. Or with having had them in my bed- the smart ones leave early, I am not pleasant in the morning.
My flat is in the underground half of Armour- I was tempted by the view at the top, but practicality won out. Plus this one is bigger- enough room for my king size bed. The walls are covered in a variety of fabrics. Folding screens provide a place for my models to change, as well as hang their lovely dresses on. I have an office where I keep the things I use to design and create clothes. There is a vanity in my bedroom. No kitchen- I never eat at home.
"Your technique was a bit sloppy, but your repertoire was refreshing. And so... flexible." I tell her, smirking. "Unfortunately I'm full up on skinny girls right now. Gain some weight or bring something I haven't got to the table and then maybe I'll give you a job. Now piss off." I wave the cigarette towards the door.
The man, now he had potential. Took direction well and those tattoos were lovely. I take a drag on the cigarette.
"If you can get me off in five minutes, I'll consider it." I have a clock radio on my vanity. I put my hands behind my head and lay back. She won't be able to do it, but it may be entertaining to see her try.
When she fails, as you predicted, what do you do?
I stay in the bed, stretching myself out.
What's outside your door, physically?
Outside my door is a shored up dirt hallway. The underground level is not unlike an anthill. It started out more orderly, but whenever they need a new space they just dig out or deeper, so the newer flats like mine are a ways off from the main stairs. I specifically chose a flat that didn't have any next door neighbors so I could get as loud as I like.
"I suppose." I answer.
It's not the first time I've been asked that question, nor the last, I'm sure. The problem with selling them is that then I have to find new talent. Also- I don't own all of them, per say. A rare few have earned out- those are the ones I wouldn't sell, anyway- too talented. If they get bored with working for me, or want to settle down in one place- sometimes an arrangement is reached.
What do you do?
"The problem with gas generators, is that they need gas. Gas costs jingle." I say to him. "Tell you what. Point me at a girl who can take Velour's spot in my show, and then we'll have a deal."
Silk's standing in the doorway, like she just appeared there. She's on something, looks like. Has that little smile and a far-off look. She's enjoying this tete-a-tete.
"I need enough petrol to keep it running for six months, or another girl to take her spot. That's the deal." It's a terrible deal, but I have what he wants, so I've got the good cards. Either way, I come out on top.
I caress a hand on the side of Silk's face, eyeing her up and down.
Silk waits until the door closes and says, "I thought you'd play with him some more." She smooths her face against your hand, like a cat, closing her eyes and luxuriating in your touch.
"I'm out of glass, Proper," she says lightly. But its a heavy statement. She's burned through an entire shelf of the drug now, twice as fast as last time. And the only dealer, in Trench, he disappeared.
What do you do?
I frown when she tells me about the glass. It was a good incentive for her for a while, but now it's a problem. I grasp her chin in my hand and look at her eyes. She'll be no good to me if she starts coughing up blood- or dies.
"Well, dear, that is a problem." I say, not letting go of her chin. "I thought that last batch would keep you for longer. I'm fresh out."
I lead her by her chin and push her back on the bed. "You do?" I ask. "Go on then, beg." I tell her, sliding one knee up on the bed next to her.
She scoots herself back on the silky sheets to the very middle of your bed and looks up at you with half-lidded eyes. For a moment, she bites her bottom lip in mock hesitation, then says in a husky voice, "...pretty please...".
What do you do?
I pull one shoulder of her dress down and trail a line of kisses from her shoulder, along her collarbone towards her neck. I stop in the middle of her chest. "Oh, Silk, you're going to have to do better than that..." I whisper in between kisses, as I slide a hand in between her legs.
Will she? Has she? Is there anything she hasn't done for you, Proper?
What do you do?
Normally I'd toy around with her for a while, but whats-her-name's fumbling earlier left me annoyed and I get swept up with lust before I know it. Kissing, touching, rubbing. Very few people can rob me of speech, but Silk is one of them.
I light up another cigarette and offer her a drag.
Then, she slides in, "Got any glass here, Proper?"
"Nope. You cleaned me right out." I say, honestly. Alright, I take a little pleasure in it, too- I did tell her.
She sits up suddenly, looks down at you skeptically, "I thought that was just a play to get me into it... you're really out? Shit." She bends over to fetch her little dress, the only thing she was wearing, pulls it over her head in one smooth motion. "We picked that up at Trench, right? So, I'm picking a ferryman and heading over. I might be late for tonight's show. Give me an advance, alright?" She's standing up now, moving like she has a purpose.
What do you do?
OOC: Read Silk incoming.
(Rolled: 2d6+1. Rolls: 5, 3. Total: 9)
She calms a bit, then looks at you directly, "Tell me what you want me to do, Proper. I mean, it's both our jingle if I go off the deep end. I thought I had a back-up, but well, it's gone. So, I am fucked."
OOC: Fingers in every pie incoming.
(Rolled: 2d6+2. Rolls: 5, 2. Total: 9)
(Rolled: 2d6+2. Rolls: 6, 1. Total: 9)
What do you do on a normal afternoon-day type thing, before the show starts up?
I finalize the show list for tonight- sometimes acts cancel last minute, especially if I can get better jingle for a girl to work for a private client. There's always work to do, though I make it a point not to rush around.
Tulle broke a tooth on a twist cap bottle, she wants to go to the clinic in Trench.
Velvet is upset about a routine he's working on that isn't coming out right.
Chiffon is still pissed about Velour upstaging him.
Oh yeah, you need to break the good news to Tooheys.
What do you want to deal with first?
Tulle's gonna have to wait- she shouldn't have been trying to chew the damn cap off.
Velvet is gonna take some more time, though the sooner he gets that act done the better.
Chiffon... good for Velour.
I grind my teeth and yank on a pair of pants. I guess I'll to talk to Tooheys first- don't want to keep Silk waiting.
This is Tooheys
There is a ladder leading up to this container, like a lookout. It's bright outside, almost noon. You're up way too early. Tooheys is scribbling with a nubbin of a pencil on a yellowed pad of papers, she hasn't noticed you yet. The wind is gently picking up her hair from time to time, a gentle breeze that cuts the heat.
What do you do?
"Hey, girlie." I call up to her. "It's your lucky day."
"What is it, Proper?" She asks the question in a dragged out tone of just, this is the worst day ever variety.
"You know my girl, Silk?" I ask her. "She wants you as an assistant." I don't want her getting her hopes up that I'm offering her a spot in my show, so I just lay it out as plain as possible.
In a slightly curious tone, she asks, "What does that mean?"
"I wouldn't be paying you, but you'd be learning from the best I got. You may even be eligible for a promotion when the time comes."
"Yes to food and a bed." I answer her. "If you learn from her I may just change my mind and hire you on as a performer." What the frak? Am I not speaking clearly?
Velour laughs about making Chiffon look like a dumbass, then asks, "Proper, can we talk? Privately?"
She follows you quietly until you reach your room. She walks in behind you, finding a spot by the vanity and leaning against a very soft fabric hung on the wall. "Dulux wants to buy me. Did he ask already?" The words come out stilted. Not hopeful. A little pensive.
"Yes. He made an offer, but I didn't like it." I answer her. "Were you hoping I would make the deal?"
I work to cultivate the appearance of a standoffish asshole, but I won't sell a girl into a situation she doesn't want to be in. I'm not a monster. I stare at her, looking for her reaction.
OOC: Read Velour incoming.
(Rolled: 2d6+1. Rolls: 5, 1. Total: 7)
TL:DR she's worried she's on the outs.
"You're worth more here, though he offered me a gas generator for you." I tell her.
What do you do?
"You need to make your act showier. Clients don't pay for subtlety." I tell her, twirling one of her dreads between my fingers. "Hell, maybe do a show with Chiffon." That thought has promise. Clients come to the show to get a taste before they pick a performer, or because they can't afford the private rates. If those two did an act together, they might get booked privately together.
She slides away from you into a turn and works into one of her routines, but keeps looking at you, beckoning you to come to her. It looks like she wants to play this out with you now.
What do you do?
I'll play along for a while, but I'm no performer and I'm certainly not going to stand for her doing all the teasing- I get some of my own in, getting her to gasp a few times. I smirk.
And this whole selling one of your girls thing, are they slaves? What do they get out of "being sold"?
They aren't slaves, but I do require them to earn out before they can leave without paying back what I've invested in them. When I do sell one who hasn't earned out, it's mostly because they are tired of performing or have developed feelings for someone. Maybe they want to settle down somewhere. I don't really care- it's just business. Once I sold one who turned out to be a breeder- that was an unpleasant surprise for me.
Or was she already carrying someone?
What ended up happening to her? Who's kid was it, do you know? How long ago was that?
Are there any other breeders in your crew that you know of? Are you one?
Oh and by the way, how long are you going to let Velour string you along before you shuffle her out the door or frak her?
I might be a breeder, but you can be certain that none of my crew are. I make sure of that.
I let Velour work out her routine, but I still got shit to do, yeah? After she seems like she's getting a handle on it, I give her the option. "I'll frak you if you want, otherwise I got drek to do."
What do you do?
I go about the rest of my list- what was it again? Why don't I have my own frakking assistant?!?
You find him in his room, Tulle moaning on the bed about her tooth. Velvet isn't here. He's sitting on the floor, diligently polishing his buttons to a silvery finish. He looks up when you come in. "Hi Proper. You're up early." He gives you a friendly nod, then gets back to rubbing the buckle on his big black belt, "You need anything?"
He goes back to polishing, "I should just go back to some bump and grind and stop worrying about it. I know."
OOC: Read Chiffon incoming.
(Rolled: 2d6+1. Rolls: 4, 1. Total: 6)
Tulle continues to whine piteously. Chiffon rolls his eyes, then spits a little on his buckle, continues to polish it. Finally fed up with being ignored, Tulle sits up and comes over to you, "Damn, Pwopeh, I gotta fiss my toof! Ih hurss like a summabich! Take me to Twench!" Her eyes look angry and miserable.
What do you do?
"I do think it'll be good for the show, but it'll also give you a chance to shine- you're a better performer than her." It's the truth, too. He has to work harder since he doesn't have tits to shake, but at least he gives a shit.
"Tulle I will deal with your broken frakking tooth in a minute, I'm talking to Chiffon at this moment." I rub the bridge of my nose and let frustration seep into my tone.
Tulle whines again and literally stomps her foot, then winces when the move jars her mouth and groans in pain, holding her cheek.. Chiffon says, "Proper, do you mind if I take her to the clinic in Trench? She's not going to give up. I should be back in time for the show."
What do you do?
"Fine, but for you, not her. Since you asked nice." I tell Chiffon. "If you aren't back in time it's getting added to your tab." Meaning it'll take him that much longer to earn out.
Tulle laughs once, happy, smiles, then grimaces again, "Fanks, Pwopeh. Be back foon."
You catch a moment, when Tulle is looking at you grateful eyes, that Chiffon glares up at her. It's one of those shooting-daggers looks, like he really resents doing this. He puts away his buckle and buttons and gets up. He's probably getting a ferryman.
What's your take on this? Is Chiffon a person who does nice things to keep the peace? Or does he have some kind of angle? Or owe Tulle? Or is it something else?
I wonder what angle he's working. Maybe he owes Tulle, though it's not like him to owe anyone anything. Other than me, of course. I tuck that little kernel in the back of my brain- until it affects business it's not going to bother me.
How often are you completely alone, Proper?
What do you do?
I could go hunt down the guy from last night- he really did outshine Tooheys. Instead I may just wander around Armour. Maybe somebody heard something about Trojan. Silk's not gonna be happy with that glitter for long.
I end up heading back to my flat for a shower and coffee.